Wednesday, 12 August 2015

Shilpa U.M ------ BRITISH CULTURAL STUDIES

             Culture as a term has umpteen number of definitions. Basically culture is something which differentiates human from animals. Culture was part of great tradition and only such a tradition could produce smart people for some and for others, Culture was ‘ordinary’, ‘a whole way of life’. Culture in a society is usually the dominant culture. It consolidates the hegemonic practices. In the most original sense, Culture Studies attempts to question this forms of hegemonic intentions of culture. It questions the categories in society which appears to be apparently natural, like gender, race, class etc. By intervening into such categories it brings out new perspectives and change in the perception of the same. It is a continuous struggle with the already existing boundaries which are constructed by the dominant hegemonic culture.
              Cultural studies had its beginning in the late 1950s, from Britain. It was from Britain later it spread to other parts of the world. It was during the post war period it started emerging. With the working class largely shifting to the consumerist class, the bourgeois, many studies were held about the changing cultural practice of the Britain of that time. The studies claimed that the after the war the working class and the way of living became identifiable with the middle class. But it was with the establishment of Centre for Contemporary Cultural Studies at Birmingham, that Cultural Studies flourished into and institutionalised discipline. Richard Hoggarts the Professor of Modern English Literature was the one who established it.
          Being a new discipline it was vibrant, experimental and interdisciplinary and they mainly concentrated on issues of everyday life. The practitioners focussed on subjecting the existing knowledge to critical interrogation and thus generating new ideas. Throughout the 1970s the scholars of CCCS focussed on critical engagements with structuralism, psychoanalysis of Lacan, Structural Marxism of Althusser. The later proponent Stuart Hall focussed on Gramscian theoretical frameworks. Its instant approval was because of the fact that it took up topics which were traditionally considered to be too trivial for discussions in academic circle, but which had everyday experience embedded strongly in it. The topics ranged from Women and feminism, working class youth subculture, racial and ethnic minorities etc. They published a number of books which literally announced the variety of topics they were addressing, Resistance through Ritual (1975) Hall and Jefferson, Women Take Issue (Women’s Studies Group, 1978), Culture, Media, Language (Hall, 1980), The Empire Strikes Back (CCCS, 1982) are some of them.
                  Efforts were made to conceptualize culture as a more fundamental practice, one which was the result of sum of interrelations of different social practice. Its method of analysis was also different from the traditional sense of analysis a topic. Instead of compartmentalisation of the traditional practice, Cultural Studies followed the method of ‘integrative’, which brought together varied possibilities in a particular issue or problem, instead of reaching to a single explanation or solution. It brought out varied perspective for either solving or furthering the discussions regarding a particular topic. Cultural studies made active interventions in to the dominant power relations in a society through concrete studies which helps to locate power operating in everyday life.
               From the beginning of cultural studies, we can identify its relation its relation with society. Cultural studies is primarily the interventions made into the society as such. Cultural Studies tries to remove the boundaries that exist between culture and society. It inverts the concept of ‘high culture’ which moves away from society, and set out an attempt at blurring the borders between culture and society. Here is where the main proponents of the movement contributed to enrich the discipline.
               The most important among them is Richard Hoggarts himself, who published the book Use of Literacy, a study on changes in English working class culture in the mid twentieth century, which was influenced by mass media and mass literacy. In the book he explains the working class life and practices in the pre war period and how it was a whole and interconnected. He criticized the mass culture into which the same society was moving after war. He believed that the new mass culture was unhealthy compared to the organic cultural practice which has been in practice for a very long time. For Raymond Williams Culture is a ‘natural, common and constitutive dimension of any human society’ (Culture and Society). In his The Long Revolution he gives and anthropological definition of culture as ‘a description of a particular way of life which expresses certain meanings and values not only in art and learning but also in institutions and ordinary behaviour’. It is most evident in his Marxism and Literature how he challenges Marxist concept of society as base and superstructure through Critical Marxism. He said that Marxism has to move away from its basic concept of base and superstructure and revive itself.
         Stuart Hall is considered to be one of the main pillars of Cultural Studies after Richard Hoggarts. His, The Popular Arts, Television as a Medium and Its relation to Culture are important documents of Cultural Studies. He broke the convention of audience as passive listeners through his famous essay ‘Encoding and Decoding’. He found Marxism as a problem and believed it should be deconstructed in order to deconstruct the society. E.P Thomson another exponent who unlike Raymond Williams developed theory from within Marxism. His The Making of English Working Class brings out his idea of culture. His culture is constituted by the friction between competing interests and forces in a social class. The intellectual project which he undertook was ‘to rewrite the history of this culture in order to redress the imbalance of its representations in official histories’. Another work is The Poverty of Theory (1978).
                   Centre for Contemporary Cultural Studies also played a major role in propagating the discipline. When Hoggarts founded the centre, he saw Cultural Studies as a combination of three disciplinary approaches,
  •      Historical and Philosophical
  •      Sociological
  •      Literary Critical

              For Williams and Hoggarts Cultural Studies has served a clear purpose of critical intervention within the society with its target, a critique of the society as a whole. This success later led to the wide institutionalization of the discipline. Cultural Studies being an amalgam of different disciplines like anthropology, sociology, literary studies, history, geography, communications etc, it will be difficult for it to become a single institutional entity.  This is how now Cultural Studies is gradually replaced by Cultural Criticism as Catherine Belsey suggests in From Cultural Studies to Cultural Criticism. Institutionalisation slows down the development of the discipline and limits it, so now a new branch of study needs to be evolved. As she rightly concludes, “other times demand other practices, and new problems require new solutions. No discipline is forever”.


BIBLIOGRAPHY
·         Bennett, Tom and John Frow, The Sage Handbook of Cultural Analysis. California: Sage Publications, 2008.
·         Hartley, John. A Short History of Cultural Studies. California: Sage Publications, 2003.
·         Oswell, David. Culture and Society- An Introduction to Cultural Studies. California: Sage Publications, 2006.
·         Turner, Graeme. British Cultural Studies: An Introduction. London: Routledge, 2003.




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