Wednesday, 12 August 2015

SREYA. K. T - BRITISH CULTURAL STUDIES

BRITISH CULTURAL STUDIES

Culture is an umbrella term which covers the area such as literary text, film, media studies, sociology, politics, geography, women’s studies, and study of different racial-ethnic groups and so on. Cultural studies is an interdisciplinary field which do research on how culture creates and transforms individual’s everyday life, social relations and power. Culture is defined as distinctive ways of everyday life. What is culture is itself a problematic question. Culture differs from different people.  
The beginning of British Cultural Studies can be traced back to 1950s. Richard Hoggart, E. P Thomson and Raymond Williams are considered as the founding fathers of British Cultural Studies. They are left-wing academics in British Universities.  They tried to explore the history and culture of working class people. In 1964 Hoggart founded the Centre for Contemporary Cultural Studies at Birmingham University, to encounter the development, which was undergoing in middle class traditions and culture. At that point of time, mass media and culture industry were under the process of Americanization.
British cultural studies begin with the texts of Raymond Williams’ Culture and Society, and Richard Hoggart’s The Uses of Literacy. In which the culture is subjected to daily lives, what we hear, wear, watch and eat, the how we see relations with each other, the everyday activities such as cooking or shopping. In 1960s British Marxist thoughts were underwent some changes. There is a break from traditional Marxism and have believed in complex or critical Marxism. According to traditional Marxism there is no value for culture; culture is a part of superstructure of society and a product of economic base. Althusser said that there are conflict between economic, political and culture; in order to sustain a complex unity of society. During the period of 1960s and 1970s, the CCCS had a powerful influence on British academics and cultural life. A number of continental critics were influenced by the worth noting the text, which were produced by the CCCS. They were also influenced by the works of Barthes’ and Michel Foucault and Marxist critical theory. In 1960s, British Cultural Studies started to explore the issues of gender, sexuality, race and ethnicity. It is a kind of social response with a broad mind. After that they started to intertwine the problems such as women rights, gay liberation, post colonial politics and racial equality. There after cultural studies became an academic discipline, courses, journals and criticism. It appeared in the countries such as the America, Asia, Africa, Europe and Australia. The literature students are interested in connecting literary text to other forms of cultural art and production in relation to the question of politics and power.
The major figures in British Cultural Studies are Raymond Williams and Richard Hoggart; both of them were coming from working class. Williams’s famous work Culture and Society published in the year 1958 is about the literary history, which focused on literary texts and its relationship to an idea. In this book, Williams discovers culture is a key category, and it connects literary analysis and social inquiry. He said that Eliot’s conclusion of culture as ‘a whole way of life’ is critical and about Leavis he rejects the text based approach to media and popular culture. He argues that we cannot criticize the institutions such as popular press, advertising and cinema without the reference of life.
Raymond Williams another work is Marxism and Literature. In the first chapter Williams says about culture. According to social scientist culture is civilization of human faculty. The society, culture and economics are interdisciplinary terms. Society is active fellowship or common doing. Economy is related to the system of production, distribution and exchange. Culture is established before these two and it is the growth of human faculties. According to Raymond Williams, culture is a constitutive process, and different ‘ways of life’. Here he breaks the traditional notion of Marxist theory and he foreground culture. One of the striking points in this text is that his final outline view of ideology.
Another important personality is E. P Thompson; he is less equivocal of this tradition. His famous work is entitled as The Making of the English Working Class(1978). Thompson created his theoretical views on culture from Marxist theory. He resisted the traditional Marxist idea of base and superstructure to regain the significance of culture. He maintained a basic humanism instead of lived culture and subjective experience. For Williams and Thompson, the culture is everyday life, within that the individual subject is fore grounded.
            Stuart Hall’s seminal work is Encoding and Decoding in Television Discourse’. In this article, Hall argues that communication is a loop of direct line from sender to receiver. In communication, every moment is important. When a message has been sent, there is no guarantee that it will arrive. So that in communication, every moment became very important. From the point of composing of the message to receiving the message has its own importance of existence. Our society is heterogeneous in nature. It is created out of different groups and interests. The television audience receives a single meaning in different ways. At that time, a context makes meaning everything. And the meaning production is also closely related to each individual’s perceptions. It will lead to the misunderstanding of the message.
            In the study of cultural studies we are actually dealing with the ways we live in and make knowledge out of it. Now a days, British Cultural Studies started textual analysis of the representations, which is exactly like an academic practice. Catherine Belsey in her text ‘From Cultural Studies to Cultural Criticism’ actually says about the academic discipline of it.





BIBLIOGRAPHY

Ø  Turner, Graeme. British Cultural Studies An Introduction. New York: Routledge, 2009.
Ø  Ziauddin Sardar and Borin Van Loon. Cultural Studies. Malta: Guttenberg, 1997.









No comments: